Even with our expanded Best-Of list courtesy of The Process, there were still a ton of great albums released last year that were worthy of recognition. Since we here at Rust Is Just Right are big believers in spreading all good music, we’re going to put a spotlight on some other great records that you may have overlooked from the past year.
Action Bronson – Mr. Wonderful.
His big-league debut was hit-and-miss, but when Action was on his game, it made for some of the most fun hip-hop of the year.
Baroness – Purple.
These guys should be viewed as more than our token metal pick, since this was a truly enjoyable album with absolutely monster hooks.
Beach House – Depression Cherry.
The band has begun to reach the point of diminishing returns with their trademark sound, but there are still undeniably beautiful moments to be found, like in the gorgeously stunning “PPP.”
Built to Spill – Untethered Moon.
One of our all-time favorites returned with a workmanlike effort. No extra-long solos, just good solid rock. And it seems to have rejuvenated the band in their live show.
Lou Barlow – Brace the Wave.
The Dinosaur Jr. bassist is famous for being a member of possibly the Loudest Band in Rock, but his solo work explores the opposite end of the spectrum. A haunting, delicate work.
Pusha T – King Push – Darkest Before Dawn: The Prelude.
If this is the prelude, I can’t wait for the main course.
The Sonics – This Is The Sonics.
One of the original garage rock bands reunited to create one of the most improbably awesome comeback albums fifty years after their initial heyday. Pure rock’n’roll, no bullshit.
Tame Impala – Currents.
If only the rest of the album was as awesome as its amazing opening track. Unfortunately, the efforts to incorporate soul influences led to some rather unmemorable results.
Wolf Alice – My Love Is Cool.
They were able to switch between a wide variety of styles on their debut album, but it was their post-grunge single “Moaning Lisa Smile” that got our attention.
Also Worthy of Praise
Beach House – Thank Your Lucky Stars; Ceremony – The L-Shaped Man; Courtney Barnett – Sometimes I Sit and Think, and Sometimes I Just Sit; Death Grips – The Powers That B; The Decemberists – What a Terrible World, What a Beautiful World; Deradoorian – The Expanding Flower Planet; Eagles of Death Metal – Zipper Down; Moon Duo – Shadow of the Sun; Pfarmers – Gunnera; Ratatat – Magnifique; Wavves – V; Wire – Wire.
All Albums That Were Considered
In the interests of full disclosure, here are all the other albums that we listened to last year, in full. Most of these were quite good and worthy of repeated listens, but they just could not crack the previous lists.
The Arcs – Yours, Dreamily,; Coldplay – A Heart Full of Dreams; The Dead Weather – Dodge and Burn; Death Cab for Cutie – Kintsugi; Death Grips – Fashion Week; Deerhunter – Fading Frontier; Destroyer – Poison Season; Destruction Unit – Negative Feedback Resistor; Dr. Dre – Compton; Ducktails – St. Catherine; Editors – In Dream; Elvis Perkins – I Aubade; FFS – FFS; Frog Eyes – Pickpocket’s Locket; Fuzz – II; The Go! Team – The Scene Between; Helvetia – Dromomania; Hot Chip – Why Make Sense?; J Fernandez – Many Levels of Laughter; Kurt Vile – B’lieve I’m Going Down; Martin Courtney – Many Moons; My Morning Jacket – The Waterfall; Panda Bear – Panda Bear Meets the Grim Reaper; Refused – Freedom; Reptar – Lurid Dream; Silversun Pickups – Better Nature; Someone Still Loves You Boris Yeltsin – The High Country; Surfer Blood – 1000 Palms; Swervedriver – I Wasn’t Born To Lose You; Tyler, the Creator – Cherry Bomb; Wavves x Cloud Nothings – No Life For Me; !!! – As If.
Today is April 18, and while the rest of the nation celebrates Tax Day (an extra three days later this year), we here at Rust Is Just Right choose this occasion to release our Best Albums of the Year list. We follow this unusual schedule for a few reasons: 1) It allows some of the albums that are released at the end of the calendar year to get some recognition, since they usually get swallowed up in the attention of the flurry of year-end lists; 2) We get the chance to analyze other lists to pick up on albums that somehow escaped our attention during the course of the year; and 3) It provides a handy consumer guide for people to focus where to spend their tax refund.
The process that is used to determine this list is highly rigorous and hardly scientific. However, we are still in the process of attempting to patent and trademark The Process, which if you may recall, is simply tallying up the play counts on iTunes for each album. It has served us well in years past, and a quick glance at our list this year proves that it has worked once again.
Note: Though the list is a Top 10, there are more albums than slots, because we don’t like breaking ties for the same play count. If you’re really intent on focusing on only 10, I guess take the 10 highest performing albums from the list, but you really shouldn’t limit yourself like that if you can help it. Also, we have reviews for nearly all of these albums, so for those of you seeking a more detailed analysis all you need to do is click the appropriate tag above.
10. Deaf Wish – Pain; Disasterpeace – It Follows (Score); EL VY – Return to the Moon; HEALTH – Death Magic; Speedy Ortiz – Foil Deer; Tobias Jesso Jr. – Goon (7 plays)
A very interesting mix at the bottom of the list, including our token electronic choice as well as our first pick of a film score in this site’s history. Deaf Wish broke through with one of the best noise-rock albums of the year, showing a surprising amount of depth for such a narrow niche, and EL VY proved that side-projects don’t have to be boring. The debut album from Tobias Jesso Jr. is the star of this particular slot, as Goon shows that the world may have found a true heir to the rich musical legacy of Harry Nilsson.
9. Donnie Trumpet & the Social Experiment – Surf; Earl Sweatshirt – I Don’t Like Shit, I Don’t Go Outside; Titus Andronicus – The Most Lamentable Tragedy; Vaadat Charigim – Sinking as a Stone; White Reaper – White Reaper Does It Again; Wilco – Star Wars (8 plays)
Another eclectic group at the number nine slot–there’s the ambitious rock opera from Titus Andronicus sharing space with the keep-it-simple garage rock of White Reaper, the joyous jazz-inflected Surf project featuring the exuberant Chance the Rapper sliding up next to the brooding and intense personal meditations of Earl Sweatshirt, and the veteran purveyors of Americana in Wilco sitting comfortably by the Israeli shoegaze group Vaadat Charigim.
8. Blur – The Magic Whip; BADBADNOTGOOD & Ghostface Killah – Sour Soul; Ghostface Killah – Twelve Reasons to Die II; Joanna Gruesome – Peanut Butter; Low – Ones and Sixes; Waxahatchee – Ivy Tripp (9 plays)
Most people seem to have forgotten that not only did Blur come back this year, but they did so with a brilliant album that recalls their peak during the mid-90’s BritPop era, with the group showing that they learned a few things during their downtime. Similarly, Low once again suffers through the Spoon Curse of being consistently great, with little love being shown for their latest excellent release. Waxahatchee broadened her sound to great results this year, while Joanna Gruesome solidified their style. But it is Ghostface who deserves special recognition this year for releasing two separate fantastic records this year.
7. Alabama Shakes – Sound & Color; Foals – What Went Down; Ought – Sun Coming Down; Sleater-Kinney – No Cities to Love; Viet Cong – Viet Cong (10 plays)
We are glad to welcome back Sleater-Kinney into our lives, as No Cities to Love fits in comfortably with the rest of the other great punk records in their back catalog. Viet Cong’s debut album and Ought’s second record were challenging post-punk works, but there were enough intriguing elements to be found in both to inspire continued listening. Alabama Shakes improved immensely from their debut album, showing off a broader range than what had been expected from their previous blues-rock groove. However, we once again wait for Foals to break through into the mainstream, even though they did their part by releasing this great arena-ready album.
6. Beach Slang – Things We Do To Find People Who Feel Like Us; Modest Mouse – Strangers to Ourselves; Protomartyr – The Agent Intellect (11 plays)
A lot of people may be surprised by the high ranking of the new Modest Mouse album, but we feel that there was enough on this sprawling effort to reward repeated listens. While it may not appear as seamless as classics like The Lonesome Crowded West and The Moon & Antarctica, there are several tracks that different eras of fans can enjoy–even the notorious “Pistol” gets better each time you hear it. Meanwhile, Protomartyr’s brooding post-punk serves as a great contrast to Beach Slang’s exuberant beer-soaked punk.
5. Kendrick Lamar – To Pimp a Butterfly (12 plays)
A worthy recipient of many accolades this past year, Kendrick Lamar’s magnum opus brilliantly pushes the boundaries of what many thought hip-hop could do. It is often a difficult and uncompromising listen, but there are still many joys to be found throughout the album.
4. Bully – Feels Like; Royal Headache – High (13 plays)
Both of these records are thrilling half-hours-of-power, and frankly I am wondering why they did not receive more publicity. There were few albums as fun as this duo.
3. Godspeed You! Black Emperor – Asunder, Sweet and Other Distress; Sufjan Stevens – Carrie & Lowell (14 plays)
Amazingly enough, Godspeed You! Black Emperor seem to be improving with each new release, with Asunder being possibly their most accessible work yet. There were few moments as powerful as the climax of “Peasantry or ‘Light! Inside of Light!” or the bombastic ending of “Piss Crowns are Trebled”. At the other end of the spectrum, Sufjan Stevens may have finally made us converts with the quietly devastating and deeply personal Carrie & Lowell.
2. Deafheaven – New Bermuda (16 plays)
Deafheaven successfully met the challenge of following up their genre-bending breakthrough album Sunbather, returning with the powerful, if more conventional, New Bermuda. However, the amazing thing about this album is that not only does it stand on its own, it somehow enhances their previous work; each listen of New Bermuda inspires an additional listen of Sunbather, and somehow that album gets better every time we hear it. Still, New Bermuda stands on its own as a brilliant album, with each of its five tracks jockeying for position as best song on the record.
1. Father John Misty – I Love You, Honeybear (17 plays)
We had a feeling at the beginning of last year that Father John Misty would place high in our list, but even we were surprised that our favorite shaman ended up in the top slot. I Love You, Honeybear is a gorgeously lush record, filled with swelling strings and ebullient horns, but there is a dark undercurrent lurking below much of the album. The record works on both a superficial level and with a more critical approach, which helps explain its surprising ranking. But in the end, it is just a damn good record, and we cannot wait to see one of modern rock’s great showman return to Oregon later this year.