Our First Birthday

Today marks the first “birthday” of Rust Is Just Right, as it was one year ago today that we launched with our “Mission Statement” and an article welcoming the return of Slowdive.   Since then, we’ve published by our count 262 other posts, with a couple that were actually kind of good.  Over the past year, we’ve slowly built up our audience, and we appreciate all of our readers who’ve made it a habit to check in on us from time to time.

Amazingly, we have not run out of things to write about, but we are more than willing to listen to suggestions on future topics and posts.  Feel free not only to contact us using the various formats provided by the “Contacts” tab, but also to comment in the posts themselves.  We love reading your feedback, and appreciate the time you take to respond to our writing.

As for the future, we’re contemplating a potential redesign of the site, but purely for aesthetic purposes–we plan on continuing to follow the editorial format that we set out in our Mission Statement, and doing our part to help share our love of music.  Now, let’s hear from The Ramones, who’ve dropped in with a message for this occasion:

Merry Christmas

Merry Christmas, from everyone here at Rust Is Just Right!  We’ll celebrate this holiday the same way we do all the others–with way too much food and indie rock!

Once again, The National has collaborated with Bob’s Burgers to produce a new carol for the holiday canon, this time branching out into Christmas music.  It’s delicate and way-too-serious in a goofy-sort-of-way, which is exactly what we’d expect from this partnership.  We hope that for those of you celebrating today that you make this a small part of your festivities, and for those of you who aren’t, that it at least puts a smile on your face.

Catching Up On The Week (Nov. 28 Edition)

Some #longreads as you awaken from the Thanksgiving food coma…

We’re going to put the spotlight on Seattle this weekend, since we have multiple articles discussing the city’s place in music history.  First, Seattle Weekly talks to Bruce Pavitt, co-founder of the now-legendary independent label Sub Pop.  Next, the Seattle Post-Intelligencer has a profile of Dave Grohl as the Emerald City episode of his Sonic Highways is set to air.  And finally, Kim Thayil of Soundgarden talks to Loudwire about the band’s new rarities release Echo of Miles.

Seattle, though often grey, is still pretty.

Seattle, though often grey, is still pretty.

We’ve been enjoying the latest album from TV on the Radio these past couple of weeks, and before we unveil our official review on Tuesday, read up on the making of the new album with profiles in both the New York Times and Consequence of Sound.

The Atlantic has an article about how the internet helped spark a revival of interest in Nick Drake, far more than he had enjoyed in his brief life and career.  While we mentioned the seminal Volkswagen ad in our “Pink Moon” Covered feature, this piece helps fill in some additional interesting details.

In the past we’ve looked at different aspects of the streaming debate, mainly focusing our attention on Spotify and their payout model.  East Bay Ray of the Dead Kennedys sheds some insight on another service we’ve neglected, YouTube, showing how the company pays even less to artists than its competitors.

Though he’s mainly known for the off-center comedic empire he’s built with partner Tim Heidecker, Eric Wareheim has had a successful side-gig as a director of music videos.  The AV Club interviews Eric for its Random Reels feature, and he sheds insights on such videos as the frightening “We Are Water” video he did for HEALTH (and cited in our Scariest Videos list) as well as the weirdly gorgeous “Wishes” video from Beach House.

And finally, Pitchfork has multiple articles worth checking out this weekend.  Be sure to read this pleasant interview with Pulp’s Jarvis Cocker, then check out this analysis of the importance of Top 40 radio and the significance of different genre stations.  And finally, proving that the publication actually has a sense of humor, here’s “The Most Crucial And Yet Totally Overlooked Releases of 2014 and a Pre-Emptive Guide to 2015.”

Happy Thanksgiving!

Happy Thanksgiving, from everyone here at Rust Is Just Right!  We’ll celebrate this holiday the same way we do all the others–with way too much food and indie rock!

That’s the second time there was a collaboration between The National and Bob’s Burgers, and since that’s the better video it’s grabbing the top spot.  But we’re feeling generous, so we’ll share the band’s cover of an original song from the show, giving the holiday all the necessary gravitas it deserves.

Sing these songs with your family, and you’re sure to have a wonderful day!

Mission Statement

Welcome to “Rust Is Just Right”.  This is a music site that’s designed to provide an environment for all kinds of fans, from the ones that study every single page published by the music press to those who have barely any time to keep in contact with what’s happening in popular culture these days.  We’re all here because we all love music, and we all want to find more of it.

Our aim is not to just be another music criticism site, but to focus on what makes certain songs and albums great and worthy of your time.  That means going beyond handy crit-speak cliches, and getting to the root of “why you should listen to this new band right now.”  In other words, we are well aware of the limits of providing reviews that are a string of name-drops, and will make sure to provide commentary that is actually helpful.

We’ve also planned a couple of features that will look into the past with this same goal in mind.  “Feats of Strength” will analyze particular songs or videos, and point out certain parts that you may have missed on the first few listens, but are really the key to what makes a song great.  “TL;DR” will be a section for longer essays that ponder theories and trends, and hopefully provide some helpful history for those that are in search of new areas to explore.  “Covered” will be a recurring feature that looks at different covers and hopefully sparks a discussion on whether they are faithful or even surpass the original songs.  While that’s what we have planned for now, we’ll always welcome suggestions for other features in the future.

We hope you enjoy the site.  Feel free to give us feedback.  We know we won’t be perfect, but hopefully over time and with your help, we’ll get close.