New music, new videos, and other time-wasters to kick off your week…
Fans of Aphex Twin should be thrilled with the massive amount of free music that he released today. There is a zip file with over 2 GBs worth of music available for download, as well as a YouTube playlist of over 200 songs, though the amount of overlap between the two has yet to be determined. We had seen evidence before that Richard James was hard at work in all those years between releases, but it is great to finally hear more of the results.
Courtney Barnett is an artist that has been receiving a huge amount of buzz lately, especially after her recent appearances at SXSW. We have been rather skeptical of the praise so far (our reaction to her recent single that has begun to get radio airplay is that it sounds like “Molly’s Chambers” with a female version of Mark E. Smith yelling over the top), but we have to admit that we enjoy the fun video that was created for “Dead Fox” that was released today.
Sharon Van Etten will be releasing a new EP next month, and today she released another track off of I Don’t Want To Let You Down. Pitchfork has the SoundCloud link for “Just Like Blood”.
Clap Your Hands Say Yeah are currently on tour celebrating the tenth anniversary of their self-titled debut, and Stereogum has the premiere of an acoustic version of “Let The Cool Goddess Rust Away” from that seminal album.
And finally, have fun with a variety of useless lists this week. The most ambitious is SPIN’s 300 Best Albums of the Past 30 Years, which if anything is at least diverse, and at least makes an attempt in a lot of cases to avoid merely following along with consensus opinion. Diffuser provides a handy list of 19 Influential Grunge Musicians that they claim “you’ve never heard of,” but whatever the accuracy is of the second part of their claim, it serves as a handy guide for diving into the Seattle scene beyond the Big Four. Then there is NME’s contribution, a list of the original titles for famous albums, which has more than a few mildly amusing anecdotes.