Catching Up On The Week (July 17 Edition)

Some #longreads for your brief moments indoors as you beat the heat…

Rust Is Just Right is heading to Project Pabst up in Portland this weekend, but we are providing some reading materials for those who are unable to make the trek themselves.

Speaking of Portland, Isaac Brock from Modest Mouse had an interesting interview with the media in Poland that was reprinted in Willamette Week where he lets loose on the uglier side of “Portlandia”.  After digesting that, be sure to read this extensive profile of Isaac, which documents the making of Strangers to Ourselves and proves that Buzzfeed can actually produce something of worth.  Then you can top it all off with a quick look at the video for Modest Mouse’s latest single, the bouncy “The Ground Walks, with Time in a Box.”

The biggest news of the day is the much-anticipated release of Currents, the new album from Tame Impala.  During our absence, record release dates have shifted in the United States and now they more closely follow the schedule used by the rest of the world, hence the Friday premiere.  To help prepare you for Currents, check out Pitchfork’s feature on the man behind Tame Impala, Kevin Parker.

We enjoyed immensely the return of Blur, giving high praise to their comeback album The Magic Whip.  Billboard has a fun interview with Damon Albarn and Graham Coxon talking about how the reunion came together and the influence of Hong Kong on the record.

Deadspin offers this op-ed which serves a strong defense for 90’s nostalgia favorite, Third Eye Blind.  We find nothing wrong at all with this stance.

Finally, this week saw the AV Club start a new column called “Version Tracker”, where they analyze a song and the various covers that have been performed over the years.  This is remarkably like our own feature, Covered.  We do not claim any bad intentions on their part, since it is unlikely that deliberately took our idea.  If however the AV Club would like to acknowledge our part in creating as the first comment on the piece state, “a damn brilliant concept for a feature,” we would appreciate that, if not some other sort of compensation.

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