Catching Up On The Week (Oct. 2 Edition)

Some #longreads for your weekend reading pleasure…

We have now reached the point that the music press is holding celebrations for 15th anniversaries, but when it comes to albums like Radiohead’s Kid A, we do not mind indulging in that kind of silliness.  Rob Sheffield has an appreciative essay of the now-legendary record for Rolling Stone and Steven Hyden of Grantland explains how years before the innovative release of In Rainbows that Radiohead was already on the cutting edge of music and technology, with the band streaming the album weeks before its physical release.

The other major topic of the week is Max Martin, one of several Scandinavian musicians who are responsible for most of the pop hits that have infiltrated the airwaves for the past fifteen years.  The New Yorker looks at the man himself, The Atlantic takes a look at the pop-songwriting-manufacturing process, and Consequence of Sound takes a look at Martin’s career in a more easily digestible listicle form complete with video highlights.

While Martin may be helping to create a monopoly in some respects in the field of pop music, GarageBand has been said to have a more democratizing effect on the creation of music in general.  Pitchfork has a longform piece on the effects of the software.

In other anniversary news, this week marks the twentieth anniversary of Oasis’s mammoth album (What’s the Story) Morning Glory?, and Stereogum puts the album into historical context.  It has always been my preferred Oasis record, namely for the fact that it includes the shameless Beatles rip-off “Don’t Look Back In Anger”, one of my favorite songs of the 90’s.  I will never forget the moment when I saw an entire crowd of people join a street musician in a London tube station sing this song, with not a single person young or old forgetting a line.

We shared with you one remembrance of Wolf Parade’s Apologies to the Queen Mary last week, and we have another piece for you on one of our favorite albums.  Observer offers a behind-the-scenes look at the album, with several stories explaining the meanings and creations of each track.

As for us, we will be catching Titus Andronicus performing at Mississippi Studios tonight, and in preparation for our review you may want to check out the extensive profile of the band courtesy of SPIN.

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