It may have taken a few years longer than we would have liked, but Titus Andronicus finally returned to Portland as headliners on Friday night for a thrilling set in the intimate confines of Mississippi Studios. Fresh off the heels of the release of their sprawling rock-opera The Most Lamentable Tragedy, Patrick Stickles & Co. delivered a spirited set to an energetic crowd, seamlessly weaving songs from across their four albums into a series of mini-epics. The band left the audience so amped up by the end that a trip to one of Oregon’s brand new legal dispensaries was probably necessary, though there were probably only a few that needed such an excuse to indulge.
After a brief explanation as to why the group made an exception to their policy of performing all-ages show, frontman Patrick Stickles began the night with a solemn version of “Upon Viewing Brueghel’s ‘Landscape with the Fall of Icarus'” backed by a mournful keyboard, then effortlessly segued into a spirited full-band version of the similarly-titled and locale-appropriate “Upon Viewing Oregon’s Landscape with the Flood of Detritus”, setting the tone for the rest of the night. Perhaps inspired by the format of their most recent release, the group blended songs from throughout their career into unpredictable but brilliant suites. Stickles made sure to spotlight guitarist Adam Reich and give him kudos for his “Pearl Jam-like” ability in constructing the setlist. For those unfamiliar with the reference, it is heady praise indeed.
The band found the right mix between professional and loose, able to knock out such difficult maneuvers as a dual tapping-solo guitar attack for “A More Perfect Union” while also avoiding any stiffness from attempting to pull off these complex tricks, and just letting mistakes slide by–as referenced by Stickles, who said he didn’t need to hear any more of his guitar in the monitors so he could ignore any flubs. The audience ate up both the old and new material, with many singing along to songs from Tragedy, though the response to early tracks like “Albert Camus” and “Fear and Loathing in Mahwah, NJ” generated the fiercest reaction. The recent legalization of commercial sale of marijuana also prompted a short speech on the “evils” of pot, and spurred a spirited take on “Tried to Quit Smoking”–only to pull a fast one a couple of songs later by throwing in a cover of Bob Dylan’s “Rainy Day Women #12 and 35”, to which everyone sang along to the memorable chorus of “Everybody must get stoned.”
After a furious finish with “Dimed Out”, the crowd was able to goad the band into a quick encore, despite the show pushing well past midnight at this point. Eventually, as a nod to both the baseball playoffs and their upcoming trip into the Great White North, the crew indulged the crowd with an enthusiastic take on Neil Young’s “Walk On”, before ending the night with “I Saw Her Standing There” from The Beatles. Though it would be difficult to beat what we witnessed, here’s a suggestion for the guys if they need a Portland-specific cover for their next trip into town (which will hopefully be as soon as possible): you can’t go wrong with anything from the Wipers.