Though we here at Rust Is Just Right try as hard as we can, it simply is not possible for us to review all the great new albums that come across our way. However, since our goal is to highlight great music that you may have not discovered yet, we feel obligated to at least give a brief mention to some of the records that we have accumulated over the past few months that are worthy of your consideration. With that in mind, we present another slate of albums.
Frog Eyes – Pickpocket’s Locket With their previous albums Tears of the Valedictorian and Paul’s Tomb: A Triumph, Frog Eyes showed a certain flair for the dramatic, delivering cracked indie rock epics that can overwhelm listeners with their passion and intensity while challenging their preconceived musical sensibilities. For this album, Casey Mercer has pulled back a bit and offered a more stripped-down version of his group’s bombastic sound, but delivered with a similar fervor. You still get Mercer’s unique voice, but this time it is often accompanied by strings.
HEALTH – Death Magic For their long-awaited follow-up to Get Color, noise-rockers HEALTH have decided to throw on the most depressing dance party ever. Industrial affectations adorn slow, slinky beats, creating a menacing if alluring album. The only downside is a tendency early in the album to borrow a melody from Vampire Weekend’s “Giving Up The Gun”, but that might be a problem that does not afflict everyone equally.
Lou Barlow – Brace the Wave It is really strange that two of the members of probably the loudest fucking band on the planet, Dinosaur Jr., enjoy making gorgeous acoustic music in their spare time, but such is the case for J Mascis and Lou Barlow. To be fair, Barlow has shown this side for years, even on a handful of Dino songs, but Brace the Wave is an especially gorgeous collection of songs. Recorded after the dissolution of a long marriage, there is the expected melancholic element, but it is balanced with several moments of fragile beauty.
Wire – Wire The old punks are still kicking, and they are as restless as ever. Not content to rehash their early work that has inspired countless modern bands, Wire instead dives into a dour post-punk take on shoegaze. That is probably a poor characterization of their sound, but goes to show how the band has always managed to defy description.
Wolf Alice – My Love Is Cool The band got some airplay with the aggro-indie track “Moaning Lisa Smile”, but the album as a whole exhibits far greater diversity than one might expect. Wolf Alice shows a bit of love to multiple 90’s subgenres and trends, but avoids sounding like a rehash of that decade. My Love Is Cool does not quite work as a cohesive album, but there should be plenty of stray tracks that fans will love.