Catching Up On The Week (Oct. 23 Edition)

Some #longreads for your weekend…

This week marks the twentieth anniversary of the release of the landmark album Mellon Collie and the Infinite Sadness from the Smashing Pumpkins, and it is no surprise that several outlets are publishing tributes for the occasion.  Stereogum looks at the album through a modern context, arguing that it is unlikely that we will see such an epic release like Mellon Collie ever again, regardless of genre, and the AV Club covers the making of the album as well as examining some of the musical highlights from the record.  The most comprehensive piece comes from Alternative Nation, who in a gesture that befits such a sprawling and mammoth album, have published an extensive essay that covers just about anything you would ever want to know about the record.

Gizmodo has a lengthy guide to the science behind the synthesizer, covering the process of creating the sounds and the development of the instrument over the years.

Consequence of Sound published an essay that ponders what is the appropriate amount of a time that an artist should wait between album releases, though it covers many of the exact arguments that one should expect.  The conclusion tilts a bit toward longer gaps, though I have two words that can be offered as a counter: “Chinese Democracy.”

Loudwire takes a look at the behind-the-scenes drama of the making of One By One, which in my eyes is a criminally underrated Foo Fighters album.

Finally, Pitchfork has an excerpt from Shea Serrano’s new book, The Rap Year Book, which provides an entertaining look at the significance of Tupac’s classic hit “California Love”.

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