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Catching Up On The Week (Jan. 23 Edition)

Some #longreads as you prepare to fire off the last of your “balls” jokes this weekend…

Stereogum takes a look at the 10th anniversary of the self-titled debut from LCD Soundsystem, and I can think of no better way to kick off the weekend than to play “Daft Punk Is Playing At My House” at an unreasonable volume, so here you go.

Perhaps the biggest news of this week was the surprise release of Björk’s new album, with Billboard providing the behind-the-scenes response of the leak of Vulnicura.  In order to get you into the proper mindset for the new album, it might be a good idea to read the New York Times profile on Björk as well as her already-much-discussed Pitchfork interview.

We’re not fans of Mötley Crüe by any stretch of the imagination, but when we found out that Drew Magary did a profile of the band while providing a glimpse of the life of a roadie, we were intrigued.  Magary is one of our favorite writers, so we’re glad to share his GQ article along with the extras that didn’t make it into the piece.

Many of you have been humming along to the infectious “Uptown Funk” for a few weeks now, so you might be interested in how difficult it was for Mark Ronson to put the seemingly easy song together, according to this Grantland profile.

The Guardian has a great interview with Sub Pop co-founder Bruce Pavitt about his early days working as a fanzine and newspaper columnist and seeing the best of the 80’s underground scene.  It’s a lot like revisiting Our Band Could Be Your Life from a Northwest perspective, as he reminisces about the early days of Black Flag, Dinosaur Jr., Big Black, and more.  In a related piece, The Guardian also takes a closer look at the terminally under-appreciated Portland punk legends Wipers as a part of their new celebration of cult heroes.  Hopefully more and more people go and take a look back at their classic early output.

Catching Up On The Week (Aug. 22 Edition)

For those of you looking for reading material during the commercial breaks of the Every Simpsons Ever marathon…

Everyone’s looking forward to the new album from The New Pornographers next week, Brill Bruisers, and they’re making the media rounds in preparation.  Be sure to check out their interviews with Consequence of Sound and Pitchfork.

Pitchfork also has this look at the early-years of Kraftwerk, a period in which the band had yet to find the style that would come to define them.

If you’re in the mood for a troll-tastic list, there’s this countdown of the Best Video winners from the MTV VMA’s.  You can tell it’s an awful list with its very first selection: a shitty argument stating that R.E.M.’s “Losing My Religion” is the worst in the 30 year history of the event.

[Ed. Note: “Sledgehammer” should be number 1, and “Virtual Insanity” should be 1a, with Chris Rock’s parody of the Jamiroquai video at 1b.]

Deadspin looks at the unlikely connection between the heavily-hyped FKA twigs and Air Supply.

AV Club has been doing a big feature about 1994 this week, and that includes a plea to listen to some Gin Blossoms.

And finally, The Guardian talks to several famous lead singers about the anxieties they face when performing.