Bradford Cox

Catching Up On The Week (Oct. 9 Edition)

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Some #longreads that have been carefully selected for your reading pleasure…

We have spent the week blasting Deafheaven’s excellent new album, New Bermuda, over and over again.  Before you read our review of the album next week, we recommend you check out this interview with the band from VH-1, which goes into great detail about the making of the follow-up to the universally-acclaimed Sunbather.

Before Elliott Smith became a beloved solo artist, his music career began as a member of the up-and-coming Portland rock band Heatmiser.  Though the group is largely seen as a footnote to Smith’s career, they had a solid career in their own right, and are set to be inducted into the Oregon Music Hall of Fame this weekend.  David Greenwald of The Oregonian catches up for a rare interview with the other members of Heatmiser for a look back at their career.

Alan Sparhawk from Low talks to The Skinny in a deeply personal interview, and reveals among other things the meaning behind the title Ones and Sixes.  For the record, we were on the right track with our guess about minimums and maximums in our review of the album, though we were off on the specific reference.  Another follow-up worth checking out is this Vox interview with John Seabrook, author of The Song Machine: Inside the Hit Factory, which provides additional anecdotes about the mysterious mega-successful songwriter Max Martin.

Next week sees the release of Deerhunter’s Fading Frontier, and Bradford Cox once again provides an entertaining interview, this time with Observer.

Finally, we have our usual anniversary pieces.  First, Allmusic interviews singer Ed Kowalczyk about his former band Live’s massively successful Throwing Copper, and about his current solo acoustic tour in celebration of the album.  We are guessing that many of you did not realize that Ed had left the group, and to be honest, we did not know this either.  Then you can finish up with this look back at another huge album from 1995, Tragic Kingdom from No Doubt.  If anything, this gives you a chance to sing “Just a Girl” and “Don’t Speak” in your bedroom as loud as you can.

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Catching Up On The Week (Sept. 18 Edition)

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A large number of #longreads for your weekend reading pleasure…

Alternative Nation recently talked to Mike McCready of Pearl Jam for an extensive interview that touched on a variety of subjects, including his work in Mad Season, his songwriting approach, and what the future holds for his main gig.  As always, McCready comes off as one of the nicest guys you will find in rock.

Fellow Seattle legend and sometimes-collaborator Chris Cornell was interviewed by the AV Club for their Set List feature, wherein they took a retrospective look at his varied career so far, offering insight into the Soundgarden reunion among other topics.

Elsewhere on the AV Club, Everclear’s Sparkle and Fade was analyzed for the site’s Permanent Records feature, providing some nice perspective on an underappreciated classic.

DIY talked to Foals as they prepared for the release of What Went Down, with the band discussing their recording philosophy and attitude towards writing new material.

Bradford Cox of Deerhunter opened up for a rather bizarre interview on Grantland.

Finally, we are not sure when this article was originally published, but we just came across this look back to the recording of …And You Will Know Us By The Trail of Dead’s classic Source Tags & Codes in Magnet, where the band discusses the making of the album as well as its effect on the rest of their career.

Catching Up On The Week (Aug. 21 Edition)

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A handful of #longreads to help you pass the time this weekend…

This week marked the anniversary of several important albums, and there are of course tributes to these records for those who feel the need to revisit the past.   For instance, today marked the twenty-fifth anniversary of Facelift, the debut album from Alice In Chains.  Loudwire has a recap of the history of one of grunge’s first big hits, an album that has held up surprisingly well after a quarter of a century.  There is a surprising amount of diversity on Facelift, especially on the second half of the record, and it is well worth revisiting if you have neglected listening to it in its entirety lately.

Another classic album that was released the same day was Jane’s Addiction smash hit Ritual de lo Habitual, and Rolling Stone has a track-by-track breakdown of the record with singer Perry Farrell and guitarist Dave Navarro.  If you have never listened to the album because you have heard “Been Caught Stealing” enough times in your life, you are missing out.

Rolling Stone also has an interview with Shirley Manson of Garbage, as she reflects on the twenty years since the release of the band’s self-titled debut.  Stereogum also steps in to provide a twentieth anniversary essay of Garbage that features an opening paragraph that is so wrong that you will probably spend hours looking for videos of The Clash on YouTube to help cleanse yourself.

A better Stereogum piece is the essay commemorating the twentieth anniversary of Rancid’s breakthrough album ..And Out Come The Wolves.  I am sure the guys in Rancid would agree with my previous point about The Clash.

The AV Club has a great piece looking at the history of the making of Jimi Hendrix’s one-off record with Band of Gypsys.  As someone who much prefers the work of the ensemble that made up the Jimi Hendrix Experience, it gave me a new-found appreciation of what the group was attempting to accomplish.  Plus, I learned that Hendrix once played guitar on a Jayne Mansfield novelty song!

Finally, as Deerhunter prepares for the release of their next album, you can help prepare for the group’s sonic shift with this Pitchfork interview with frontman Bradford Cox.