Covered is a feature where we examine the merits of various cover songs, debating whether or not they capture the spirit and intent of the original, if the cover adds anything new, and whether or not it perhaps surpasses the original. If we fail on those counts, at the very least we may expose you to different versions of great songs you hadn’t heard before.
Dirty Projectors broke through in a big way in 2009 with their release Bitte Orca; though the album didn’t sell that many copies (which, let’s be honest, was to be expected, considering the experimental nature of their work as well as the decline in sales across the music industry overall), it garnered a massive amount of praise and ended up on countless Best Of lists. At the very least, it earned the group substantial buzz and a placement on the strangest triple-bill I’ve ever seen–playing Madison Square Garden with Wavves and headliner Phoenix (plus a special appearance from Daft Punk(!)). I will never forget looking across the arena that night and seeing thousands of faces that were alternately bewildered by the complex time signatures and odd vocal inflections of the group or merely bored by the lack of instantly-accessible melodies and wondering when those guys with that one song they really liked were going to show up.
“Stillness Is The Move” was a highlight of Bitte Orca for many fans, even if it strayed a bit from the usual Dirty Projectors formula (as much as there is such a “formula”). Dave Longstreth’s yelps don’t make an appearance on this track, as the group’s three female vocalists (Amber Coffman, Angel Deradoorian, and Haley Dekle) provide the harmonies, though his intricate and unique guitar style makes a distinct impression. The guitar is paired with a glitchy upper-register bass part which helps provide a skittering counterpoint; though the two parts have two markedly different rhythmic patterns, they somehow fit together in a pleasing groove. But the true power of the song is the gorgeous interweaving melodies of the vocals, which will have you humming along long after the track is over.
She may be remembered more for her antics inside an elevator with her sister and brother-in-law last year, but there was a time where Solange attempted to step outside of Beyonce’s shadow by launching a music career of her own. Though we seem to be coming closer everyday to becoming ruled politically by a couple of dynasties, the public has been less accepting of nepotism in the music industry for the most part, and as a result few remember Solange’s brief career. If Solange is remembered at all, it’s generally as a punchline.
However, there was one brief shining moment to her career that is worth revisiting, and that is her cover of “Stillness Is The Move.” Solange displays great vocal dexterity in her handling of the song’s complex melodies, allowing her to show off her range and musicality. It’s an impressive display of musicianship in its own right, but the true power of her cover is how it develops and embellishes the strengths of the original. The cover emphasizes the deep rhythmic groove, showing that hiding underneath all the usual indie rock trappings there was a soulful R&B song; though it’s hardly definitive evidence, a quick look at the way the singers dance in the original music video helps confirm this assertion. The interweaving guitar and bass parts in the original may interact with each other in an elaborate manner, but they’re actually held together by a simple drum groove that drives the song.
Additionally, Solange’s vocals help illustrate the technical achievements of the original. Subsequent listens revealed how the trio was able to bounce around difficult intervals and odd rhythmic accents with ease, which I had glossed over initially. With that in mind, I can’t say that Solange’s version is the superior one, though she does a great job of making it her own, but that it’s still an excellent performance because of the way that it found new qualities in the original that had previously been overlooked.