The Killers

Catching Up On The Week (Sept. 4 Edition)

Some #longreads for your perusal this long holiday weekend…

If there is one person who knows the proper way to relax as summer winds down, it is Willie Nelson.  The Red Headed Stranger recently opened up to GQ in an entertaining interview, focusing mainly on his decades-long relationship with the sticky-icky, and revealing who exactly was with him when he was smoking up on the White House roof.

Last week we shared one retrospective on Kanye West’s Late Registration, but we recommend you read the AV Club write-up of the album as well.  Their piece for this week’s Permanent Records feature on Hot Fuss from The Killers is not as essential, though it did lead me to an entertaining theory as to a possible hidden storyline behind the album.

(For the record, “Jenny Was A Friend of Mine” and “Smile Like You Mean It” are the superior singles from that record, and the closer “Everything Will Be Alright” should not be relegated to the also-ran status that has been given to the entirety of the album’s Side B.)

DIIV is set to finally release their follow-up to 2012’s Oshin, and The Fader talks to frontman Zachary Cole Smith about the events of the past few years as the band recorded Is the Is Are.

Finally, be sure to read this fascinating conversation between Huck Magazine and the legendary Ian MacKaye (Fugazi, Minor Thread), as they engage in a thought-provoking philosophical discussion.  It is more interesting than it sounds, I assure you.

Advertisement

Catching Up On The Week (Aug. 1 Edition)

Everyone else seems to have settled into the August doldrums, so we’re keeping it short and sweet this week.

Jason Heller wrote an appreciation of Steve Albini for Pitchfork, highlighting some of his greatest moments as a musician.  It’s a nice change of pace for music fans of today that know only of his legendary work as a producer (or as an “engineer”, as he preferred to be called), and should help provide an intriguing playlist for your weekend.

That is, if you need a playlist for your weekend–Lollapalooza is happening right now in Chicago, and you can catch a stream here, courtesy of Pitchfork.

The Colbert Report had a couple of excellent musical guests this week, with Beck stopping by the studio to play from both Morning Phase and his Song Reader project, which just saw its official release this week.  “Heart is a Drum”, the song that was played on the broadcast, also had its official music video released this week, and it’s embedded above.  The next night, Colbert had Jon Batiste and his Stay Human group, and they proceeded to blow the roof off the studio with a memorable performance of “Express Yourself” that you need to watch now.

The AV Club reminds you that it’s a good idea to listen to Suicide, and also inform you that The Killers wrote apparently the weirdest lyric ever (personally, I think “I Am The Walrus” is weirder, and that’s not even getting into the fact that the list is just pop music and it’s easier to find “weirdness” when you go further beyond the boundaries of Top-40/Classic Rock).

With the news that TV on the Radio will be releasing a new album this fall, Stereogum took the opportunity to list their 10 Best Songs.  Not a bad list if you ask me (though “Staring at the Sun” is underrated), and I’m glad they didn’t decide to be pricks and avoid the obvious choice for number 1.

And finally, here’s what looks like an interesting piece in SPIN that talks about a composer who “after coaxing Kevin Shields and Mark Hollis out of hiding” is finally releasing an album, satisfying our longread requirement.

Catching Up On The Week (June 13 Edition)

For those of you who survive Friday the 13th and the full moon, here are some #longreads to get around to on your weekend.

Earlier this week, we had our review of Hamilton Leithauser’s solo debut, but for those of you who need an additional fix of The Walkmen, Drowned in Sound has the stream for Peter Matthew Bauer’s solo record Liberation! available on their site.  The stream wasn’t working for me when I checked, but maybe it will for you; at the very least, you can read Bauer’s track-by-track guide to the album.

Next week also sees the release of Familiars from the Antlers, and Pitchfork caught up with them for an interview.  The band talks about a couple of unexpected inspirations for the new album, including Twin Peaks and The Tibetan Book of the Dead.

Johnny Greenwood recently announced that Radiohead is taking a year off, which I guess counts as news if you were looking around and noticed, hey, it’s been…over a year since The King of Limbs, but people are reporting this anyway.  Read up to see what adventures Johnny has gone on in the meantime, and while you do that, be sure to check out these pictures that fifth graders drew after being subjected to Hail to the Thief.

Stereogum has a look back at Hot Fuss, since we celebrate the ten year anniversary of every decent album that we at the very least half-way remember/are likely to sing a couple songs while drunk at karaoke.  (Everybody thinks that they can sing “All These Things That I’ve Done”, but it’s tougher than it seems–they could probably do “Mr. Brightside” however, since the vocal melody is basically the same pitch throughout the song (that said, I still enjoy the album)).  However, this provides an interesting behind-the-scenes look in the days before their breakthrough release, and is worth checking out.

AV Club finishes up their “Fear of a Punk Decade” feature with a look at 1999 and…Jimmy Eat World, because that pretty much says everything you need to remember about punk in 1999.  Granted, there’s a much more in-depth discussion of a lot of other bands, but let it be known that was the hook to get you reading.

Normally we tend to keep things strictly music-related on this site, but considering the subject’s connection to music, we’ll say that you should take a look at The Hollywood Reporter’s quest  for answers to the suicide of Searching for Sugarman director Malik Bendjelloul.

And finally, SPIN interviews Dylan Baldi of Cloud Nothings about his recent collaboration with Wavves.  We’re pretty excited to see what the final result of that combination will be.