The Late Show

Over the Weekend (Sept. 14 Edition)

New music, videos, and other news to help you kick off the week…

This week we have quite a few videos to share, and not much else, so it should be pretty easy for our readers to have fun while expending a minimum of effort.  First, we recommend that fans of The Black Keys take a look at The Arcs, the latest side-project from Dan Auerbach.  The new group recently released their album Yours, Dreamily… and last week put out a psychedelic video for their song “Outta My Mind”, which recalls the recent work of Dan’s main gig, if a little more playful in tone.

Speaking of side-projects, Matt Berninger (frontman of The National) and Brent Knopf (Ramona Falls, formerly of Menomena) have joined forces to record as EL VY, and the results they have shared so far are interesting to say the least.  Their album Return to the Moon is not set to be released until October 30, but for now enjoy Matt having some fun in SoCal with the slinky “I’m The Man To Be”.

Albert Hammond, Jr. of The Strokes is promoting his third solo album, Momentary Masters, and for the video of “Caught By My Shadow” he pays a bit of homage to The Seventh Seal with his chess battle with death.  However, viewers are unlikely to confuse it with the Bergman classic, considering Hammond’s version involves way more special effects.

If you are still in the mood for something strange, be sure to watch Viet Cong’s latest video from their self-titled debut, “Bunker Buster”, which features some bizarre visuals and a sci-fi storyline.

The premiere of The Late Show with Stephen Colbert was the biggest news in entertainment last week, and among the memorable moments from the show’s first week was this amazing performance by Kendrick Lamar of a medley of songs from To Pimp a Butterfly.  Be sure also to tune in on Tuesday night, when Run the Jewels are set to perform with TV on the Radio.

Apparently The Decemberists were even more productive during their hiatus, as in addition to this year’s What A Terrible World, What A Beautiful World, the band is set to release the EP Florasongs on October 9.  The band gives a taste of what to expect with the song “Why Would I Now?”

And finally, if you are looking for something to satisfy your desire for lists, you might check SPIN’s look back to 1995 with their list of “The 95 Best Alternative Rock Songs of 1995”.

Catching Up On The Week (Jan. 16 Edition)

A few #longreads as you prepare for the new year to begin in earnest…

Amid a crowded field of new releases next week, the long-awaited return of Sleater-Kinney stands out from the rest as indie rock fans welcome the return of the beloved 90’s band.  So it’s no surprise that the band is getting write-ups in most music publications this week, including Pitchfork, Grantland, and Nylon.  We’re probably missing other tributes as well, but we’ll try to make up for it by linking to their performance on Letterman last night.

Another new release that we can’t wait to hear comes from another Pacific NW favorite, as The Decemberists return next week with What a Terrible World, What a Beautiful World.  The Oregonian looks at how the band helped shape the Portland music scene over the past fifteen years, which while giving the city a new national profile also riles up some locals, as evidenced by a few of the comments.

One upcoming new release that we’ve neglected to mention before is the latest record from Belle and Sebastian.  In order to rectify this, here is Pitchfork’s insightful musical influence feature “5-10-15-20” with the band’s leader, Stuart Murdoch.

Diffuser is taking a look at “The Roots of Indie”, and their latest installment examines the history of the Violent Femmes, one of the most unique successes in rock history.

And finally, a small dose of light scientific reading for your weekend, as NPR takes a look at why some cultures respond to musical cues in different ways.

Over the Weekend (Jan. 12 Edition)

Videos, live performances, lists, and general news as we determine the superior “O” state once and for all…

We left a ton of material on the table for today’s post, and with the flurry of news this morning our roundup is even more overstuffed than usual.  So let’s dive right in with the surprise release of the music video for the Beastie Boys track “Too Many Rappers”, featuring Nas in both audio and visual form.  While it’s sad to remember that Hot Sauce Committee Part Two will be the last album we ever hear from the Beasties, but it’s certainly great to have some more footage of the crew having fun together.

NPR has streams for two highly-anticipated new albums available this week.  First, there’s the long-awaited return of critical darlings and Pacific Northwest favorites Sleater-Kinney, who are releasing their first album in ten years next week with No Cities to Love.  Then there’s the self-titled debut of Viet Cong, who have garnered a ridiculous amount of buzz among various indie blogs in the past couple of months.  I don’t yet have the same enthusiasm, though it may take a few more listens of their noisy guitar rock to convince me.

Ghostface Killah seemingly never stops working, because after releasing his solo album 36 Seasons last month (and appearing on The Wu-Tang Clan’s A Better Tomorrow), he’s set to release another album next month.  This time it’s a collaboration with BADBADNOTGOOD, with their record Sour Soul set to be released February 17.  Their latest track, “Ray Gun”, features a guest spot from DOOM and has a nice grimy funk feel, complemented by some gorgeous strings.  Stereogum has more information, including links to previously released tracks, for your perusal.

There’s also a trio of album releases that were announced this morning.  Death Cab For Cutie is releasing Kintsugi on March 31st and will be their first album “without” founding guitarist Chris Walla, who while no longer a member of the band still has a presence on the album.  Sufjan Stevens is releasing Carrie & Lowell on the same day, which we can take as further proof that the “50 States” project is dead.  And Waxahatchee will be releasing Ivy Tripp on April 7th, and you should probably click the link because Pitchfork has helpfully included the new track “Air”.  We were big fans of her previous album Cerulean Salt, and while this sounds a bit more polished than that lo-fi classic, sounding like a stripped-down Joy Formidable is something we can support.

It’s disappointing that a once-vibrant genre as Country has become just a bunch of homogenized pablum, and worse yet is the fact that every year it continues to get worse.  The genre has just  become Nickelback with a half-assed over-enunciated Southern accent, and that’s a damn shame.  The thing is, consumers are at least partly to blame, since as The Atlantic points out, uniformity is what sells.

Last week featured some great musical guests on the Late Night shows, including performances from such RIJR favorites The War On Drugs (who performed the epic “An Ocean In Between The Waves” on The Tonight Show) and Parquet Courts delivering a dynamite version of “Bodies Made of” on Letterman, a song that initially sounds like a poor choice for the national stage until it gets to its epic breakdown.  But the standout of the week was Foxygen and Star Power performing “How Can You Really” on The Late Show, which prompted an enthusiastic response from Dave himself.

We here at Rust Is Just Right are always down for hearing more from Spoon, so we are pleased to share their appearance on Austin City Limits over the weekend as well as their guest spot on Sound Opinions.  We’ll see if we can go the rest of the week without mentioning them, but don’t bet on it.

And finally, a couple of fun lists that can either be used as a discovery tool or merely as argument fodder.  Stereogum has a list of “30 Essential Post-Rock” songs which along with usual suspects Godspeed You! Black Emperor, Sigur Rós, and Explosions in the Sky includes several other bands that may not be as well known, though this may partially be due to a broad definition of “post-rock”.  You can have an argument about that specific topic as well as the following list from Complex, which goes through each year since 1979 to anoint “The Best Rapper Alive”.

Catching Up On The Week (Dec. 19 Edition)

Some #longreads for your weekend as you mourn the end of the greatest television show of all-time

The music world is still buzzing about the surprise release of D’Angelo’s Black Messiah, with critics greeting it with universal acclaim.  We’re certain that you can find a multitude of thinkpieces on the album from everyone and their cousin on the web, but this analysis from Complex is probably the best you’ll find.

Just how big was that surprise release from D’Angelo?  Big enough that it pushed aside the news that Modest Mouse will finally release a follow-up to We Were Dead Before the Ship Even Sank as their new album Strangers to Ourselves is set to be released on March 3 of next year.  Meanwhile, keep their new single “Lampshades on Fire” playing on repeat, at least through this weekend.

This article was originally published in January, but we didn’t come across it until this week, so it’s new for us: Buzzfeed explains how the punk band Crass fooled MI6 and other intelligence agencies into thinking there was a Soviet disinformation campaign, all with a crappily-produced prank tape.

It’s the weekend–do you need any other excuse to read an analysis of Billy Joel’s ridiculous hit “We Didn’t Start the Fire”?

And finally, we like millions of others are mourning the end of The Colbert Report, though we’re hopeful that Stephen Colbert will do a terrific job of taking over The Late Show.  Like many, we were impressed by the turnout of former guests that appeared for the final sing-along, but we also were delighted to hear that as the credits rolled for a final time that Colbert had selected our personal pick for greatest song of all-time, Neutral Milk Hotel’s “Holland, 1945”, to be the musical accompaniment.  It turns out that Stephen’s selection of the song was not just a result of his good taste, but the result of a personal connection to the song that is quite touching.  Just don’t ruin the moment by clicking through the links to see what the rest of Slate had to think about music this past year.