The Waterfall

My Morning Jacket, Live at the Keller Auditorium

Over the years, My Morning Jacket has built a reputation as one of the best live acts in the world, an assertion with which I would emphatically agree, based on the several MMJ concerts I have witnessed over the years.  Though there were a few moments that came close to reaching the peaks of past shows, the overall experience from Wednesday night was more of a mixed bag, with a generally tentative performance that saw the band attempting to shake off some rust in kicking off the fall leg of their tour.  Then again, that may be merely the complaints of an overly pessimistic critic/spoiled fan; it is hard to come away disappointed when you get to hear beautiful rarities like “Bermuda Highway” or rock out to “Mahgeetah” and “One Big Holiday”.

An attempt to capture one of the more spectacular lighting effects.

An attempt to capture one of the more spectacular lighting effects.

Perhaps we are speaking from a mild case of bitterness, since as a part of “My Morning Jacket Week” we highlighted the song “Lay Low” and the group’s ability to rip out some amazing covers, and ended the night with neither.  But it does speak to the depth of the band’s catalog that they could leave out staples like “Steam Engine”, “Phone Went West”, or “Dondante” and still construct a solid setlist.  The show was heavy on material from their latest album, The Waterfall, and while there is still a lot to that record that feels underwhelming, the songs do gain an additional spark in a live setting.  The album’s best tracks, “Tropics (Erase Traces)” and “Only Memories Remain”, sound even better live, with the former exploding with energy and the latter stretched to an epic length and augmented by some excellent solos.

The band did not say a word to the crowd the entire night, and frontman Jim James was cautious with his movements, with a slowed-down version of the duckwalk being his sole bit of showmanship (aside from the traditional donning of the cloak for “Touch Me I’m Going To Scream Pt. 2”).  There were a couple of moments where different members missed a line or added a beat, or even failing to figure out when a song should end, and the soundboard had problems with the mix for most of the night.  But there were several moments where everything synced up perfectly, such as the dazzling light display for “At Dawn” or the dip into crowd favorites from the Z era with “Wordless Chorus” and “Off the Record”.  And once again, the band showed their knack for reworking their older material, with thrilling renditions of “Master Plan” and “Knot Comes Loose”.

A view of "At Dawn" from approximately Hillsboro.

A view of “At Dawn” from approximately Hillsboro.

Opener Strand of Oaks impressed the early crowd and made several new fans that night.  They initially impressed with some excellent metal-leaning chops, and then won over the audience with their tale of driving 31 hours from Champaign, Illinois to make the gig that night to play with their heroes.  They took a risk with some of their more downbeat material that followed, but finished up with a fantastic slow-building closer that had the crowd amped for the main event.

Catching Up On The Week (May 8 Edition)

Some #longreads as you make plans for Mother’s Day

In case you were unaware, Mother’s Day is this Sunday, so let this be a reminder to make plans if you have not done so already.  Over the years, there have been plenty of tributes to Dear Mama, though few of them are truly memorable.  The AV Club takes a closer look at an overlooked effort from Menomena, examining the backstory from their album Moms and one of its most personal tracks, “Baton”.

The biggest release of the week was My Morning Jacket’s latest album, The Waterfall.  While we work on our own review of the record, we recommend that you read this Stereogum essay to help provide some perspective, as it analyzes the album not only within the My Morning Jacket discography but in context of trends of the past decade in rock as a whole.

This week’s most entertaining piece was the oral history of the immortal Redman episode of Cribs, courtesy of Thrillist.  Yes, Redman actually lived in that tiny apartment.

Rolling Stone interviewed Dennis Lyxzén to get the story of how after their successful reunion tour that the time was finally right for Refused to record a follow-up to their classic The Shape of Punk to Come, and what to expect from Freedom.

Trunkworthy published an ode to one of our favorite Wilco albums, the underappreciated Summerteeth.  To this day, it is still one of my favorite records, and hopefully when Wilco stops by later this summer they play more than a few cuts from it.

Over the Weekend (Apr. 6 Edition)

New videos and other fun stuff as you fill in the hours around the NCAA championship game…

Lots of new songs and videos to get through this week, so let’s get straight to the action.  After announcing a North American tour and releasing a new track (the groovy epic “Let It Happen”), Tame Impala has finally revealed some details about their followup to the fantastic Lonerism.  The album Currents will be available later this year, and to help celebrate the news the band released another track, the slow-burning “‘Cause I’m A Man”.

My Morning Jacket continues to leak out new songs from their upcoming album The Waterfall, sharing the ballad “Spring (Among the Living)” last week.  My immediate reaction was to say that it is a more dramatic version of “Victory Dance” from Circuital, but with a seriously ripping guitar solo.

Kendrick Lamar is doing the rounds in promoting his album, which involves things like talking to MTV about the origins of the album title to doing radio interviews discussing how he did the Tupac interview that closes To Pimp a Butterfly, as well as announcing his engagement (congrats, btw).  Kendrick also released the music video for the new album’s latest single, “King Kunta”, which features a performance in his hometown of Compton.

The National have shared a previously unreleased track from the Trouble Will Find Me sessions, a song called “Sunshine On My Back” that features Sharon Van Etten on vocals.  The band explained in a Facebook post various options for people to purchase the track.

Most of us were not able to make it down to Austin for SXSW this year, but NPR is doing us a real solid favor by hosting video of TV on the Radio’s performance at the festival.

Legendary punk rockers Refused announced a new tour last week, this time emphasizing smaller venues.  If you are unaware how much we love the band, you should take note that the header photo that graces this site comes from their reunion show at the Roseland from a few years ago.  Unfortunately, though it would have been amazing to see them perform at the Doug Fir, tickets sold out in about two seconds, so it is unlikely RIJR will be able to review the show.

Maybe our inability to purchase tickets was due to the fact that we forgot to post the latest Run The Jewels video.  Killer Mike and El-P released the video to the fantastic “Close Your Eyes (And Count to Fuck)” which features a memorable appearance from Rage Against the Machine’s Zack de la Rocha.  Enjoy the symbolism.

And finally, watch another one of those “let’s see what today’s teenagers know about the 90’s” videos.  This one has kids listen to various 90’s songs, and for the most part they didn’t do too badly.  I can forgive these guys for not knowing Ace of Base or how the non-rockers were unfamiliar with Tool’s “Sober”, but it pains me that so few knew who Coolio was or could identify Green Day’s first big hit.