Tunde Adebimpe

Over the Weekend (Aug. 10 Edition)

New music, news, and other fun useless stuff as you recover from an unexpected night out…

Last week we linked to an interview with guitarist Spiral Stairs as he revealed his favorite Pavement songs, and this week we can share the thoughts of another member of the band.  Stephen Malkmus talked to Newsweek about several of the songs that appear on the rarities compilation The Secret History, Vol. 1, providing background on their creation to the best of his ability.

90’s-influenced noise-rockers Deaf Wish shared the video for their single “On”, capturing the strange ending to what was apparently a bizarre television show.

Earl Sweatshirt also released a video this week, sharing a gloomy animated vision for “Off Top” from his stellar recent release, I Don’t Like Shit I Don’t Go Outside.

Alternative Nation has footage and background from an early Alice in Chains show, recorded in December of 1989 in Pullman, Washington.  The show takes place months before the release of their debut album Facelift, so it provides an interesting record of the group moments before they hit it big.

Hutch Harris contributes a great review to The Talkhouse, a site where albums are discussed and reviewed by other artists, providing a critical and loving assessment of the newest solo album from guitarist Albert Hammond, Jr. of The Strokes.

And finally, it was announced that singer Tunde Adebimpe of TV on the Radio has joined with vocalist Mike Patton (Faith No More, Fantomas, Peeping Tom, Mr. Bungle, etc.) and rapper Doseone for a project called The Nevermen.  Consequence of Sound has the details, including a SoundCloud link to the lead single “Tough Towns”.  After that, be sure to check out an edition of Kids Interview Bands that TV on the Radio recently shared, where the band finally answers exactly what kind of cookie can be found in Cookie Mountain.

Catching Up On The Week (July 24 Edition)

Some #longreads for helping you pass the time while you luxuriate in humanity’s greatest sin, Central Air

It’s the dog days of summer, and so it’s probably about time we share some of the pieces we’ve bookmarked over the past few months but neglected to pass on to you.  One such example is this account from Vulture detailing Bob Dylan’s first Letterman appearance, and the unique group of musicians he enlisted for support.

Deadspin has another great piece that would have been better if we shared it at a more appropriate time: a look at the history behind Alice Cooper’s classic anthem “School’s Out”.

It is usually a blast to read the interactions between artists of different generations as they discuss their appreciation for the work of each other.  This interview with Frank Black/Black Francis of the Pixies and Tunde Adebimpe in Time Out is one such example.

We were fortunate to finally catch one of our favorite bands live a few months ago, and it turns out it was worth it to take on the additional expenses to do so, since The Replacements have seemingly broken up once again.  The Guardian has a profile of the band that ran shortly before a couple of the band’s final shows in London.

TV on the Radio, Live at the Crystal Ballroom

Over the course of more than a decade and five albums into their career, there is still no band like TV on the Radio.  They are sui generis, a singular entity that defies easy characterization but continually produces gorgeous and engaging music. As great as their studio output is, it gives but a glimpse of the true power of the band, and that’s its live show.  Last Thursday’s show at the Crystal Ballroom was a thrilling experience that capped off not only a wonderful year of concerts, but proves that more than ever we need to be thankful for the band’s existence.

Inside, they don't take as much care in lining up the names for the concert calendar

Inside, they don’t take as much care in lining up the names for the concert calendar

On record, TV on the Radio exerts an air of precision and carefulness; even when the songs are filled with hisses and layers of ambient haze, there is still the notion that this “noise” is meticulously constructed, with the particular vocal styles of Tunde Adebimpe and Kyp Malone also contributing to this perception.  However, their live show moves away from their more artfully produced side and instead brings out their dormant punk rock tendencies.  This was established in a dramatic fashion at the very beginning of the show, as waves of haze and noise filled the air like an aural fog machine before Tunde ripped through and delivered a thrilling rendition of one of their earliest songs, “Young Liars”.  Though I have my doubts that most of the audience had an previous familiarity with the song, by the end of the first chorus it didn’t matter, and they provided an enthusiastic response.

Tunde was moving around the stage and wringing the emotion out of every note, often with the aid of his unique physical mannerisms that in the hands of a less capable performer would look ridiculous but were clearly genuine expressions on his part.  Dave Sitek spent most of the set furiously strumming his guitar, and though it was nearly impossible to pick out his singular contributions it was clear that he was making an important contribution to the general atmosphere of each song; he stood in direct contrast to Kyp Malone on the other side of the stage, whose stillness amid the chaos portrayed an almost zen-like quality to his guitar-playing and vocal parts.  In their live performance, the brilliance of the composition of the bass and drum parts become much more apparent, and Jaleel Bunton and Japhet Landis helped not only to keep everything grounded but offered thrilling personal touches of their own.  While Landis seemed to struggle slightly with a couple of the turnarounds in “Lazerray”, he more than made up for it with his handling of the tricky rhythms of “Province”.

TV on the Radio performing "Golden Age"

TV on the Radio performing “Golden Age”

The set focused mainly on the new album Seeds, with the band performing most of the album, including a stretch of four songs in a row that indicate the band’s confidence in the material.  Considering we here at RIJR think it’s one of the top albums of the year, we were fine with this decision.  The band sprinkled only a little bit from the rest of their catalog throughout, with Dear Science and Return to Cookie Mountain getting a handful of songs each.  For the most part, the intention was to keep the energy up, and so fast-paced rockers like “Dancing Choose” and “Golden Age” dominated the setlist in favor of the band’s slower songs (though a re-working of “Blues From Down Here” showed the versatility of their more balladesque material).  As expected, “Wolf Like Me” was a thrilling highlight, with the crowd absolutely losing its mind during the band’s ferocious performance.

The band seemed to genuinely enjoy their visit to Portland, and the crowd was glad to benefit from the extra shot of energy that comes with the final stop at the end of a tour.  But there were other things that were understandably on the band’s mind, as Kyp and Tunde both took time between songs to express frustration with the recent current events and promote positive social awareness in the audience.  This included a memorable segment that involved crowd participation about “light” and “dark” and Tunde running through and high-fiving the audience.  All of this led up to the final song, the moment that I had been hoping all night to hear once again, and that was their electric performance of their early hit “Staring at the Sun”.  It is one of the highlights of desperate youth, blood thirsty babes, but it takes on a whole new dimension when performed live that few bands in history can match.  It was a sensational conclusion to not only a brilliant show, but to the year in general.  Thanks to that performance, I’m going to have to reshuffle my list of top concerts of the year, but that’s a great problem to have.