Forcefield

Tokyo Police Club, Live at the Doug Fir

Last night’s Tokyo Police Club show at the Doug Fir captured the vibe of being packed into a basement for a house party, except for the fact that floors were not nearly as sticky and the band was way more professional and polished than whomever Dave could bribe to play for a case of cheap domestic.  The devoted showed up in full force last night, ready to sing along to to tracks that date back to the group’s first EP, and the group complied with an enthusiastic and lively set.

David Monks mid-rock-out maneuver

David Monks mid-rock-out maneuver

The band kicked off the show with a modification to their recent setlist by opening with “Breakneck Speed”, slightly altering the lyrics to say “it’s good to be back in Portland” in a nice bit of showmanship.  “Hot Tonight”, an effervescent highlight from their most recent album Forcefield soon followed, and set the mood for the evening.  The new material mixed in well with the old material, with the group focusing heavily on songs from the Champ era in filling out a twenty song set.

We were even treated to a couple of new songs, with bassist/singer David Monks giving a bit of the backstory for “PCH”, noting that the events of the romance took place on that highway that was, to paraphrase, not that far off from here.  Another highlight was fan-favorite “Bambi”, complete with an extended intro that did a great job in disguising what was to come, as well as early cuts like “Nature of the Experiment” and the infectious “Your English Is Good”.  For the encore, we were even treated to a cover of Kelly Clarkson’s “Since U Been Gone”, which managed to accomplish the difficult task of captivating this crowd packed with hipsters.

A good look at the friendly fellows

A good look at the friendly fellows

Openers The Domestics did a great job with their pop-rock set, effectively setting the mood for the rest of the night.  The local act kept the audience’s attention with a varied setup, switching between instruments and vocalists, all the while delivering punchy and engaging songs.  They will definitely be a highlight on many bills around town.

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The Mid-Year Reassessment; Or, “We Should Probably Mention These Albums”

Our primary goal here at Rust Is Just Right is to spread the love of good music, generally through a careful and informed examination of precisely what makes certain music “good”.  We like to think we’ve done a fairly good job of this, through detailed album and live reviews as well as features like “Feats of Strength”.  But even with our best efforts, we haven’t been able to share all the great music we’ve heard so far this year.  So, we’re going to put a twist on a standard practice of most other music publications: instead of posting a Best of the Year (So Far) list, we’re going to list albums that we love but for some reason or another haven’t given the proper attention.

Albums from bands that deserve more recognition, but this wasn’t the one that would put them over the top:

Tokyo Police Club – Forcefield

We Are Scientists – TV en Francais

Album from a band that we didn’t really appreciate before, but really liked their new stuff

Wye Oak – Shriek

Great album from a band where we know the drummer

Slow Bird – Chrysalis

Great Hip-Hop albums we love, but we really suck at writing about Hip-Hop

Atmosphere – Southsiders

The Roots – …And Then You Shoot Your Cousin

Great Heavy Metal album we love, but we really suck at writing about Heavy Metal

Mastodon – Once More ‘Round the Sun

Album that we meant to review as part of a larger feature, but haven’t yet

Clap Your Hands Say Yeah – Only Run

Album that is so great that we’re kicking ourselves for not writing about it sooner

Sun Kil Moon – Benji