Some #longreads as you plan a trip to Burma…
The big event this weekend will be the release of the N.W.A biopic Straight Outta Compton, but before you hit the cineplex you may want to brush up a bit on your knowledge of the legendary group. Pitchfork has an extensive feature documenting N.W.A’s relationship with “reality”, as well as a behind the scenes look at the creation of Dr. Dre’s comeback album, inspired by his work on the film.
Stereogum published an essay this week taking a look at the way hip-hop’s relationship with classic soul music has evolved over the years. There are many sections where the explanations are obvious, but the piece is still worth checking out for the occasional nuggets and background information on production techniques that may not be so obvious.
We are still a few weeks away from the release of their new album Ones and Sixes, but nevertheless this Stereogum profile of Low is worth reading if you are not already hyped for the return of one of the most consistently great rock bands of the last twenty years.
For those of you who need your oral history fix, the Washington Post has an extended look at the story behind the 1995 version of the Lollapalooza festival.
Finally, we have linked to interviews with frontman Stephen Malkmus and guitarist Scott “Spiral Stairs” Kannberg, and now we can link to an interview with Pavement bassist Mark Ibold conducted by Noisey. And because you surely have not had your fill of discussing the career of Pavement, Consequence of Sound has a comprehensive look at the band’s entire catalog, EPs and all.
Some #longreads as you once again ignore the Grammys…
While lately most of their interviews have been rather serious, this week Run The Jewels have some fun talking to the AV Club about their love of Steven Seagal movies. If you prefer analysis of their music instead, Stereogum has a piece discussing the significance of male friendship to their latest album.
There’s a reason that when watching the OutKast reunion this year that Andre 3000 didn’t feel like being there, and that was confirmed in his interview with FADER where discusses the specifics of his “selling out.”
If you’re looking for a gift for a music-loving friend, you might want to check out the book Check the Technique, which does us all a service by diving behind the scenes to provide us with information behind some of hip-hop’s classic albums. The Atlantic interviews author Brian Coleman about both volumes.
Proving that just about every album gets the 20-year treatment, Stereogum has a piece on Bush’s debut Sixteen Stone. While admittedly it was one of my first albums, it’s not exactly a landmark record, but the evolution of its reception makes the essay worth reading.
And finally, most of our Foo Fighters coverage has revolved around Dave Grohl, but this time it’s Pat Smear getting the spotlight. Pat talks to Diffuser about the making of Sonic Highways and how he ended up becoming a part of Nirvana, as well as his unique take on guitars. Though the introduction mentions only two of the legendary bands of which he was a member, rest assured, Pat does talk about his time in the Germs for a bit.
We’ve got some great #longreads for you this weekend, so try to fit these in as you enjoy Record Store Day.
Many music fans were excited for the reunion of OutKast at Coachella last weekend (this one included), but unfortunately it wasn’t the joyous celebration that we were hoping would occur. There’s a lot to be said about the general shittiness of festivals, and Coachella specifically, but even that doesn’t account for some of the disappointment that many OutKast fans felt (personally, as a viewer watching things on my couch, I was able to enjoy it, album-plug for Future notwithstanding). Rembert Browne at Grantland does a great job of expounding on this sentiment. And if you’re wondering why the OutKast reunion was such a big deal in the first place, Andrea Battleground at the AVClub can help get you up to speed.
Last weekend I engaged in a scavenger hunt across Portland with some friends, and one of the items that we procured was an 8-Track of Bob Seger’s Night Moves. It is now one of my most valued possessions. Coincidentally enough, Steven Hyden wrote a piece this week why you shouldn’t scoff at this notion. Behold, in all its glory:
My new most valued possession
SPIN has an excerpt from the recently released oral history of Dinosaur Jr. You get a look at the early, early days of the band, as they toured around Massachusetts and their early ventures into New York, as well as their first tour as they opened for Sonic Youth.
Pitchfork has a couple of excellent features this week, both analyzing more the business side of music, and specifically the use and accumulation of data. First, there was an article outlining the evolution of the Billboard R&B/Hip-Hop chart, and how its current format leads to problems in tracking songs. It raises some interesting points, but to dismiss the impact on how the specific genre has had an impact on Top 40 is a bit of a mistake, and maybe a solution that is more in line with how Billboard charts Alternative Rock may be one way to go. The other piece looks at the history of streaming and its future, finding analogues in prior devices like the jukebox and looking at how data is processed to give a better idea for programs in dispensing recommendations. Both are great and worth the time to read.