Kurt Cobain

Catching Up On The Week (Jan. 30 Edition)

Some #longreads as you scramble for something to do in the hours leading up to the “Big Game”

“Vinyl or CD’s?” is an argument that has raged on for decades, and the shifting fortunes of both formats in the last few years has inspired numerous articles promoting one side over the other.  LA Weekly has an extensive and informative piece on the debate, providing a history of the creation of the technology as well as insights into the music recording process to help support the claim that compact discs do in fact “sound better.”  That should be good news to record companies, who apparently view the recent surge in vinyl sales as “just a fad” even if there are reasons to believe this isn’t the case.*

We mentioned earlier this week that Sundance saw the premiere of the new Kurt Cobain documentary Montage of Heck, and because our love for Nirvana has barely diminished over the years, multiple publications from a variety of  backgrounds have pieces on director Brett Morgen and his film, including Rolling Stone, Vanity Fair, and The Daily Beast.

As a companion to our recent review of the fantastic new Sleater-Kinney album No Cities to Love, you may want to read this extensive feature on Carrie Brownstein for Consequence of Sound’s quarterly literary magazine FACES.

Do not adjust your flickering screen: Rust Is Just Right is recommending that you read an interview with Wes Borland of Limp Bizkit.  Stereogum has a fascinating discussion with the guitarist that shows his good humor and self-awareness of his place in music, and Borland provides an interesting perspective of the business and how bands operate.

And finally, Pitchfork has a couple of worthwhile pieces from “The Pitch”, both relating to leaks: the first analyzes the quest to determine whether or not the SoundCloud leak of unreleased Aphex Twin material was genuine, while the second examines the history of digital album leaks from the past two decades.

Over the Weekend (Jan. 26 Edition)

News, videos, and other fun stuff as you remember once again which is the better coast

The Sundance Film Festival is in full swing right now, and one of the films garnering the most buzz right now is the documentary Kurt Cobain: Montage of Heck, and Esquire provides a rundown of some of the things that they’ve learned.

Interpol released the video for their latest single “Everything Is Wrong”, which provides an amusing look at the way the band possibly spends their day in preparation for an evening show.  I’m just happy that they’ve chosen one of the best tracks from El Pintor as their next single.

The ladies from the hilarious show “Broad City” sat down with the members of Sleater-Kinney at an NPR event, and luckily there was video of the conversation.  After watching that, feel free to dive into this SPIN ranking of all 109 Sleater-Kinney songs.

To help commemorate the 30th anniversary of the seminal album Psychocandy, the Jesus and Mary Chain have announced a brief U.S. tour.  Combined with the fact that Slowdive has confirmed that they are working on new music (!!!!!) should prove definitively that we are in the new golden age of shoegaze.

Viet Cong has some fun with Pitchfork’s “Guest List” feature.  For the record, we are in full agreement that “Heroes” absolutely needs the “dolphins can swim” verse.

And finally, Death Cab For Cutie has released the first single off the upcoming album Kintsugi, and it’s called “Black Sun”.  It’s an interesting new direction for the band, though initial fan opinion seems to split.

Over the Weekend (Nov. 3 Edition)

News and new videos as you adjust to the terrifying new era of reverting back from daylight savings…

The Decemberists have announced that they will release a new album early next year, entitled What a Terrible World, What a Beautiful World.  And so we don’t come away with only this announcement, the band also provided us with a new song, “Make You Better”, complete with a “visualizer” video.

Prince performed on Saturday Night Live this past weekend, eschewing the normal two song/~four minute blocks for one eight-minute mega-jam.  It was a memorable performance, and not just for Prince’s third-eye sunglasses or his backing 3rdEyeGirl group.  At the very least, we learned that Prince has spent some time listening to Pantera.

Cymbals Eat Guitars recently uploaded the music video for “Warning”, off their excellent new album LOSE, featuring a very young band (Crosshair) playing the part of CEG.  If you never got the chance to pick up their stellar debut Why There Are Mountains, wait another week for the reissue.

Spoon helped end The Daily Show’s run in Austin in style, playing multiple tracks off their latest excellent album, They Want My Soul.  We would embed the videos here, but Comedy Central uses a screwy system, so either go to The Daily Show website or find all three performances on Pitchfork, since they did the legwork to get the correct plug-in.

Nirvana fans may be intrigued by the recent discovery of a “sound collage” that Kurt Cobain created, illustrating more of a connection with a band like The Olivia Tremor Control than one would have suspected.  Note: this sounds nothing like Nirvana, but have fun with it anyway.  Update: An interview with Cobain’s girlfriend at the time, Tracy Marander, sheds some light on the recording, including that there are two versions of “Montage of Heck” and that Nirvana diehards had known of this for years, and in fact a copy had been circulating for some time.

Wilco had some fun on The Tonight Show last week, though not all the footage was aired during the show.  Check out this acoustic version of the classic Yankee Hotel Foxtrot track “I’m the Man That Loves You”.

And finally, to wrap up our coverage of bands that played on late night last week, there’s The Flaming Lips in full costume performing “With A Little Help From My Friends” (with their “fwends”), and Run The Jewels blasting “Early” with a Halloween-appropriate performance on Letterman.