Catching Up On The Week (Jan. 30 Edition)

Some #longreads as you scramble for something to do in the hours leading up to the “Big Game”

“Vinyl or CD’s?” is an argument that has raged on for decades, and the shifting fortunes of both formats in the last few years has inspired numerous articles promoting one side over the other.  LA Weekly has an extensive and informative piece on the debate, providing a history of the creation of the technology as well as insights into the music recording process to help support the claim that compact discs do in fact “sound better.”  That should be good news to record companies, who apparently view the recent surge in vinyl sales as “just a fad” even if there are reasons to believe this isn’t the case.*

We mentioned earlier this week that Sundance saw the premiere of the new Kurt Cobain documentary Montage of Heck, and because our love for Nirvana has barely diminished over the years, multiple publications from a variety of  backgrounds have pieces on director Brett Morgen and his film, including Rolling Stone, Vanity Fair, and The Daily Beast.

As a companion to our recent review of the fantastic new Sleater-Kinney album No Cities to Love, you may want to read this extensive feature on Carrie Brownstein for Consequence of Sound’s quarterly literary magazine FACES.

Do not adjust your flickering screen: Rust Is Just Right is recommending that you read an interview with Wes Borland of Limp Bizkit.  Stereogum has a fascinating discussion with the guitarist that shows his good humor and self-awareness of his place in music, and Borland provides an interesting perspective of the business and how bands operate.

And finally, Pitchfork has a couple of worthwhile pieces from “The Pitch”, both relating to leaks: the first analyzes the quest to determine whether or not the SoundCloud leak of unreleased Aphex Twin material was genuine, while the second examines the history of digital album leaks from the past two decades.

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